Interfaces Between the Oral and the Written

Interfaces Between the Oral and the Written

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In the African context, there exists the 'myth' that orality means tradition. Written and oral verbal art are often regarded as dichotomies, one excluding the other. While orature is confused with 'tradition', literature is ascribed to modernity. Furthermore, local languages are ignored and literature is equated with writing in foreign languages. The contributions in this volume take issue with such preconceptions and explore the multiple ways in which literary and oral forms interrelate and subvert each other, giving birth to new forms of artistic expression. They emphasize the local agency of the African poet and writer, which resists the global commodification of literature through the international bestseller lists of the cultural industry. The first section traces the movement from oral to written texts, which in many cases coincides with a switch from African to European languages. But as the essays in the section on a€œNew Literary Languagesa€ make clear, in other cases a true philological work is accomplished in the African language to create a new written and literary medium. Through the mixing of languages in the cities, such as theSheng spoken in Kenya or the bilinguality of a writer such as Cheik Aliou Ndao (Senegal), new idioms for literary expressions evolve. The use of new media, technology or music stimulate the emergence of new genres, such asTaarab in East Africa, radio poetry in Yoruba and Hausa, or Rap in the Senegal, as is shown in the section on a€œForms of New Orality.a€It is a great achievement of this second volume of Versions and Subversions in African Literatures that it assembles contributions by scholars from the anglophone and the francophone world and that it covers literary production in a broad spectrum of languages: English, French, Hausa, Sheng, Sotho, Spanish, Swahili, Wolof and Yoruba. Some of the authors and cultural practitioners treated in detail are: Mobolaij Adenubi, Birago Diop, Boubacar Boris Diop, David Maillu, Thomas Mofolo, Cheik Aliou Ndao, Donato Ndongoa€“Bidyogo, Hubert Ogunde, Shaaban Robert, Wole Soyinka, Ibrahim YaroYahaya, and SAcnouvo Agbota Zinsou.Dasylva, Ademola. Dapo Adelugba on Theatre Practice in Nigeria (Ibadan: Ibadan Cultural Studies Group, 2003). Echeruo ... Drama and Theatre in Nigeria: A Critical Source Book (Lagos: Nigeria Magazine, 1981). Ogundeji, Philip Adedotun.


Title:Interfaces Between the Oral and the Written
Author: Flora Veit-Wild, Alain Ricard
Publisher:Rodopi - 2005-01-01
ISBN-13:

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